Calls for the main ensemble.
NOTE — The lack of character breakdowns below is intentional. While characters have been written a certain way to start, we expect changes in profiles and arcs after final casting. For now, we’re just looking for people first, who meet the general age and cultural preferences, and we’ll reshape the final characters and scripts, as needed, around the selected people.
If you’re interested, please send word to studiotar@icloud.com, with the desired role as subject. Thank you!
Devika — Female, 30s. Ideally knows Hindi or Arabic.
Mei Ling — Female, 30s. Ideally knows Mandarin or Indonesian.
Samirah — Female, 30s. African-descent. Ideally knows a second language.
Valya — Female, 30s, Ideally knows Russian.
Al-Haj — Male, 30s. Ideally knows Arabic or Hindi.
Dwi — Male, 30s. Ideally knows Indonesian or Mandarin.
Jonathan — Male, 30s. African-descent. Ideally knows a second language.
Jenny — (Major guest). Female, 30s. Hispanic or European-descent.
Calls for department heads.
NOTE — The intention in advertising roles at this early stage is to identify key crew members now and to take time during fundraising to familiarize with the series, the roles, the objectives and with each other. That way, if and when sufficient funding is available, we’ll have already built the relationships and the knowledge to be ready to roll on production.
If you’re interested, please send word to studiotar@icloud.com, with the desired role as subject. Thank you!
* The goal with the roles below is to get an early start in visualizing the series. Those visuals can also enrich the website and help with fundraising.
Production Designer — In 2025, begin discussion on the design template(s) for series and begin cataloguing settings ideas, before ultimately leading on build/design of sets next year.
Casting/Associate Director — Ideally someone with casting and/or coaching experience. In 2025, offer insight on cast, before ultimately leading ensemble development and support/guest casting.
Art Director — In 2025, discuss and catalogue ideas on art and copy direction for the series (including the website and campaigns), before ultimately executing on artwork and installations.
Costume Designer — In 2025, begin discussion on style types and looks that can later be transferred to characters (or for characters, if cast), before ultimately leading the wardrobe department.